Evi Vine

Outdoor Theatre

(location Lavish Lounge & In The Woods Stage)

“Hypnotic… hauntingly beautiful.” Time Out

Nominated for the ‘Independent Music Awards’ by ‘Secret Garden Party Festival’ & prestigious Cambridge venue the ‘Living Room’

EVI VINE is a singer/songwriter emerging from the UK’s underground music scene. Inspired by such diverse artists as Leonard Cohen, the Cocteau Twins, Arvo Part and Nine Inch Nails, Raw and emotive, EVI’s powerful, but minimalist narrative style is very much her own.

Her voice is described as haunting and other-worldly; her lyrics telling of isolation, sex, death and alienation. Few performers can consistently deliver such an impassioned, emotional and hypnotic show as EVI VINE. Her potent and mesmerising live performances draw the audience into compelled silence.

Writing and composing all original material, EVI VINE provides vocals and lead guitar. EVI has been working for two years with STEVEN HILL on drums, the live experience also brings in a selection of guest musicians on Bass Guitar, Mandolin, Violin and Cello.

Past colaborations include composer Graeme Revell (The Crow, Sin City), Sally Herbert (PJ Harvey, Siouxsie & the Banshees) Noel Hogan (Cranberries), songwriter Kevin Hunter (Sheryl Crow). Producers, such as Dave Allen,and Stephen Street. (The Smith, Blur) Evi’s single Drown in Me, remixed Silencer, was hailed by Judge Jules as one of his top ten singles in 2006.

Evi has been courted by ‘A1 management’ to collaborate on the new Deadly Avenger album ‘Blossoms & blood’. Recording & writing with EDEN HOUSE, an album project featuring Tony Pettitt (Fields of the Nephilim) and Steven Carey (Adoration) & Julianne Regan (All about Eve) has just been completed and the band will head out on a tour this summer that includes some major festivals in Europe. Evi will start work soon on her first album and film soundtrack, scoring music for seminal visual effects producer Nicolas Brooks (The Matrix, Fight club, etc).

 “Excellent…absorbing, haunting and sensual…welcome to the darkside of the blues.” Cosmo Landesman, (Sunday Times)